Jumat, 30 Agustus 2013

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Greek painted pottery, by Robert Manuel. Cook

  • Published on: 1960
  • Binding: Paperback

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Rabu, 28 Agustus 2013

[P620.Ebook] PDF Ebook The Overstreet Comic Book Price Guide Volume 45, by Robert M. Overstreet

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The Overstreet Comic Book Price Guide Volume 45, by Robert M. Overstreet

  • For four-and-a-half-decades, only one publication has brought collectors and dealers the prices of back issue comic books, market reports from the experts, and the history of the medium. This year, The Overstreet Comic Book Price Guide celebrates with new prices, new feature articles, new additions to the Overstreet Hall of Fame, and more. Anniversaries the Guide marks this year include Captain Marvel at 75, Nick Fury, Agent of S.H.I.E.L.D. at 50, the T.H.U.N.D.E.R. Agents at 50, Wonder Girl at 50, and Captain Canuck at 40. Available this year with four covers in softcover and hardcover editions: a Captain America & Agents of S.H.I.E.L.D. cover by Greg Land, a Superman cover by Joe Schuster, a Bloodshot & X-O Manowar cover by Cary Nord, or a Captain Action cover by Paul Gulacy.

  • Sales Rank: #263509 in Books
  • Published on: 2015-07-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.60" w x 6.60" l, .0 pounds
  • Binding: Paperback
  • 1200 pages

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50 of 61 people found the following review helpful.
Comics Guaranty Corporation - Certified Grading System
By Francesco1@prodigy.net
In Overstreet's 1999 Comic Price Guide (29th edition), a new concept in comic grading is being introduced. Robert Overstreet and his senior advisors are endorsing The Comics Guaranty Corporation (CGC). CGC "is based on the model of successful certification used by the leading grading service in rare coins, and the fastest growing grading system in sports cards" according to the Overstreet Guide. The books are to be graded and evaluated by CGC using exacting standards and sealed in a special holder. If the books are removed from the holder, then re-certification would be necessary. Sounds good, Think again! Excuse the pun, but to compare certification of coins or cards to comic books is like comparing The Batman to The Wasp. Coins and cards can be seen from both sides supporting the grading system, while the pages of a book can not. How would you ever know if all the pages are intact? I guess you have to trust the "integrity" of the grader. Lest we forget, What made comic collecting the hobby it is today are the stories and adventures of our favorite characters. What about the comics who are not considered keys? Would these books fade into oblivion? Who would want to spend money to grade these books? Maybe the best of intentions are being made to honestly grade books, but what happens when there is competition with less accuracy, consistency, impartiality and integrity? The early 1990's proved to be diasterous for the industry with inflated high prices on low-grade books. This concept appears to be heading in the same direction with very few reaping the rewards with monetary gain. Com'un Guys, Back to Basics! The industry has already been monopolized by a few who are cornering the market. How will this entice new collectors? Apparently, it has been forgotten that these books, with our favorite characters,were meant to be read, treasured and enjoyed. They were not made to line the pockets of the few who monopolize the industry. I can not help but wonder how The Batman or The Wasp would feel about being evaluated, encapsulated and never to be read.

8 of 8 people found the following review helpful.
Simply Indispensable.
By Philip
The definitive resource and price guide reference for the entire comic book collecting industry. Every dealer on the planet has one, and uses it as a benchmark for pricing. And even when they sell books at a different price, they always do so in reference to The Guide price (i.e. "Above Guide, " or "Below Guide.").

The values in this book are not guesstimates. They are based upon a wide survey of North American comic book dealers and collectors. At the very least this book tells you which books are more in demand and which are not.

The only criticism I have is that 3rd party graded books definitely command a price premium in the market over so-called "raw" books. The Guide should make an effort to reflect this somehow in their valuation system. Either designate that the prices are for certified grades, or raw, books.

I also believe that eBay sales of standard books should also form the guide pricing. It does account for auction sale prices, but mostly of key books.

Additionally, the people who buy the hard copy should also be given access to a digital copy.

Otherwise, this is the best Comic Book collecting reference you can own. Highly recommended.

12 of 14 people found the following review helpful.
Best of its type but don't buy the hype.
By A Customer
This really is the best book published of its type but this is partly because Mr. Overstreet controlled a large part of the market for some time. Many of the books listed may have inflated prices owing to Overstreet's vested interest in the value of a particular title in some particular condition. In general, only Mint condition comic book values are accurate. In nearly every other case, values are slightly to greatly inflated. Many books, such as Amazing Fantasy # 15, exist in such great numbers that they are held artificially high by the impression of scarcity implied by this book and fostered by those who own copies of that title. On the positive side, this is the single most complete guide of comic book values and it is the only book one needs in order to fare well in the used comic book market.

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  • Published on: 1964
  • Original language: German
  • Dimensions: 9.29" h x 1.77" w x 6.34" l,
  • Binding: Hardcover

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Sabtu, 24 Agustus 2013

[A296.Ebook] Download Turkey - Culture Smart!: the essential guide to customs & culture, by Charlotte McPherson

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Turkey - Culture Smart!: the essential guide to customs & culture, by Charlotte McPherson

Culture Smart! provides essential information on attitudes, beliefs and behavior in different countries, ensuring that you arrive at your destination aware of basic manners, common courtesies, and sensitive issues. These concise guides tell you what to expect, how to behave, and how to establish a rapport with your hosts. This inside knowledge will enable you to steer clear of embarrassing gaffes and mistakes, feel confident in unfamiliar situations, and develop trust, friendships, and successful business relationships.

Culture Smart! offers illuminating insights into the culture and society of a particular country. It will help you to turn your visit-whether on business or for pleasure-into a memorable and enriching experience. Contents include


* customs, values, and traditions
* historical, religious, and political background
* life at home
* leisure, social, and cultural life
* eating and drinking
* do's, don'ts, and taboos
* business practices
* communication, spoken and unspoken


"Culture Smart has come to the rescue of hapless travellers." Sunday Times Travel

"... the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries." Global Travel

"...full of fascinating-as well as common-sense-tips to help you avoid embarrassing faux pas." Observer

"...as useful as they are entertaining." Easyjet Magazine

"...offer glimpses into the psyche of a faraway world." New York Times

  • Sales Rank: #1487831 in Books
  • Published on: 2006-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.68" h x .50" w x 4.37" l, .38 pounds
  • Binding: Paperback
  • 168 pages

Review
Culture Smart! has come to the rescue of hapless travellers, Sunday Times Travel - ...the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries, Global Travel - ...full of fascinating, as well as common sense, tips to help you avoid embarrassing faux pas, Observer - ...as useful as they are entertaining, Easy Jet Magazine - ...offer glimpses into the psyche of a faraway world, New York Times.

About the Author
CHARLOTTE MCPHERSON is an American who has lived in Turkey since 1979. For her graduate studies at Indiana University she specialized in Uralic Altaic languages and history. She has an MA in Anthropology, and during the 1980s she conducted extensive research in Turkey and Central Asia among Turkic-speaking peoples. She has lectured in Social Anthropology at Mimar Sinan University, Istanbul, and has written many scholarly papers and several books. She is currently Vice President of the Turkish-American Cultural Association in Istanbul, where she owns and manages a major English-language bookstore, Greenhouse.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Useful for Your Turkish Visit - Critical Insight into Turks
By Amazon Customer
Living in a multi cultural city and having worked work for foreign corporations have given us an understanding of other cultures and countries. This book digs into the culture of Turkey in ways often ignored by the usual tour book. The usual laundry list of restaurants, sultans, wars, hotels, etc., etc. is not the sole focus of this book. There is certainly a lot of hard information and some historical background included to shed light on the Turkish people. The meat of this book is get in the heads of the Turks you will encounter on vacation or living in Turkey. From broad cultural principles to simple facial gestures the book is a great guide. My trip to Turkey is coming soon, so I cannot compare the book to the trip. However, the author gave a lot of little tips like those that have helped me with other foreign travel and international work experiences. Happy I made the purchase and would recommend.

11 of 11 people found the following review helpful.
Worth the price for the new traveler to Turkey
By D. D. LeDu
My wife and I have been to Turkey five times. In 2010 and 2011 we spent two months each in central and eastern Turkey. We have learned some Turkish and a smattering of Kurdish. For our purposes, we found this book useful.

It was not so much that it taught us how to act, but it helped us understand much that we observed and experienced. We spent much of our time in Kurdish areas, but the book was equally enlightening there.

One shortcoming is that the book does not delve into the intricacies of dealing with both Turks and Kurds. We sometimes inadvertantly made mistakes, such as asking a Turk if he were Kurdish, or saying "thank you" in Turkish while in a 100% Kurdish village, or later saying "thank you" in Kurdish to a Turk.

This book is most appropriate to the west, particularly Istanbul, Ankara and Izmir. Nevertheless, I know of no other book that is as helpful, and I recommend it to anyone who intends to leave the predominately tourist areas.

0 of 0 people found the following review helpful.
Really Helpful
By CollectiveHunch66
Very readable. Essential Guide provides background (history, economics, etc) but moves fairly quickly into cultural considerations (values, attitudes, etc.) so a visitor using the book has some introduction to the nuances of interacting with Turks on their home ground. The chapter on business interactions was especially helpful to me as I make presentations, conduct meetings, etc.

I'd have liked a little more depth on work and social life, but as a primer, very good.

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Jumat, 16 Agustus 2013

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COGNITION:EXPLORING THE SCIENCE OF THE MIND (FIFTH EDITION), by DANIEL REISBERG

Cognition uses the best of current research to help students think like psychologists and understand how cognitive psychology is relevant to their lives. The Fifth Edition offers a streamlined presentation, introduces an attractive new full-color design and an expanded art program, and has been thoughtfully updated with the best of current research.

  • Sales Rank: #2156373 in Books
  • Published on: 2013
  • Binding: Loose Leaf
  • 526 pages

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Selasa, 30 Juli 2013

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Alone Together: Why We Expect More from Technology and Less from Each Other

Consider Facebook--it's human contact, only easier to engage with and easier to avoid. Developing technology promises closeness. Sometimes it delivers, but much of our modern life leaves us less connected with people and more connected to simulations of them. In "Alone Together," MIT technology and society professor Sherry Turkle explores the power of our new tools and toys to dramatically alter our social lives. It's a nuanced exploration of what we are looking for--and sacrificing--in a world of electronic companions and social networking tools, and an argument that, despite the hand-waving of today's self-described prophets of the future, it will be the next generation who will chart the path between isolation and connectivity.

  • Sales Rank: #1832181 in Books
  • Binding: Paperback

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Senin, 29 Juli 2013

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This book is a comprehensive and authoritative guide to voice user interface (VUI) design. The VUI is perhaps the most critical factor in the success of any automated speech recognition (ASR) system, determining whether the user experience will be satisfying or frustrating, or even whether the customer will remain one. This book describes a practical methodology for creating an effective VUI design. The methodology is scientifically based on principles in linguistics, psychology, and language technology, and is illustrated here by examples drawn from the authors' work at Nuance Communications, the market leader in ASR development and deployment.

The book begins with an overview of VUI design issues and a description of the technology. The authors then introduce the major phases of their methodology. They first show how to specify requirements and make high-level design decisions during the definition phase. They next cover, in great detail, the design phase, with clear explanations and demonstrations of each design principle and its real-world applications. Finally, they examine problems unique to VUI design in system development, testing, and tuning. Key principles are illustrated with a running sample application.

A companion Web site provides audio clips for each example: www.VUIDesign.org

The cover photograph depicts the first ASR system, Radio Rex: a toy dog who sits in his house until the sound of his name calls him out. Produced in 1911, Rex was among the few commercial successes in earlier days of speech recognition. Voice User Interface Design reveals the design principles and practices that produce commercial success in an era when effective ASRs are not toys but competitive necessities.



  • Sales Rank: #688199 in Books
  • Published on: 2004-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.90" l, 1.57 pounds
  • Binding: Paperback
  • 368 pages

From the Back Cover

This book is a comprehensive and authoritative guide to voice user interface (VUI) design. The VUI is perhaps the most critical factor in the success of any automated speech recognition (ASR) system, determining whether the user experience will be satisfying or frustrating, or even whether the customer will remain one. This book describes a practical methodology for creating an effective VUI design. The methodology is scientifically based on principles in linguistics, psychology, and language technology, and is illustrated here by examples drawn from the authors' work at Nuance Communications, the market leader in ASR development and deployment.

The book begins with an overview of VUI design issues and a description of the technology. The authors then introduce the major phases of their methodology. They first show how to specify requirements and make high-level design decisions during the definition phase. They next cover, in great detail, the design phase, with clear explanations and demonstrations of each design principle and its real-world applications. Finally, they examine problems unique to VUI design in system development, testing, and tuning. Key principles are illustrated with a running sample application.

A companion Web site provides audio clips for each example: www.VUIDesign.org

The cover photograph depicts the first ASR system, Radio Rex: a toy dog who sits in his house until the sound of his name calls him out. Produced in 1911, Rex was among the few commercial successes in earlier days of speech recognition. Voice User Interface Design reveals the design principles and practices that produce commercial success in an era when effective ASRs are not toys but competitive necessities.



About the Author

Michael Cohen is the cofounder of Nuance Communications. He has played a variety of roles at Nuance, including creation of the Professional Services organization and the Dialog Research and Development group. Michael is a popular speaker and a consulting professor at Stanford University. He has published more than seventy papers, holds eight patents.

James Giangola is an industrial linguist, who designs, researches, and mentors others in creating VUIs that reflect the linguistic features and principles that shape everyday, human-to-human conversations. An innovator in prompt-writing and dialog design, James has ten years of experience teaching languages and linguistics, and maintains a consulting practice.

Jennifer Balogh is a speech consultant at Nuance Communications, where she designs and evaluates interfaces for spoken language systems. She also conducts research on dialog design techniques and holds several patents. Jennifer is a university lecturer and frequent contributor to conferences and journals.



0321185765AB11172003

Excerpt. © Reprinted by permission. All rights reserved.

In the past decade, there has been an explosion in the creation and commercial deployment of voice user interfaces, especially for use over the telephone. Voice user interfaces (VUIs) use speech technology to provide callers with access to information, allow them to perform transactions, and support communications.

This proliferation is driven by a number of factors: customer dissatisfaction with touchtone interactions, a growing desire for mobile access, the need for enterprises to more effectively and inexpensively meet their customers' needs, and the development of speech technology that is finally robust and reliable enough to deliver effective and reliable interaction in well-defined domains.

At the beginning of this decade of growth (starting around 1994), the biggest obstacle that needed to be overcome was skepticism about the capabilities of the technology. Speech technology had been promised for decades and had disappointed many times. The enterprises that could potentially improve their customer service and save money, as well as the venture capital firms that could fund the early start-ups, needed proof points. Within a few years, many such proof points existed: Millions of phone calls every day were being handled successfully by speech technology. Although technology improvement will continue to play a key role in providing better experiences for end users, increased business value to enterprises, and new capabilities enabling new types of applications, it is no longer the key bottleneck to growth of the speech industry.

The biggest challenge now is the design of the user interface. There are too few practitioners who have the knowledge and skills to create all the systems needed and to advance our understanding as new technology enables new capabilities. Current practitioners come from a wide variety of backgrounds: speech technology, user interface design, cognitive psychology, linguistics, and software development. All these fields have contributed to our current level of understanding of voice user interface design. In fact, the field has benefited substantially from the diversity of influences. However, the need to pull together information from diverse fields has made it difficult to codify and teach the rationale for design.

In this book we aim to offer in one place much of the background information needed for practitioners to design specific applications and to contribute to the advance of the field. We try to take a principled approach to deriving best practices, with the hope that designers will then have a basis for approaching new design situations and new technologies.

Organization of The Book

Given that our primary focus is to teach VUI design, we chose to organize it according to the design methodology we recommend. The parts are as follows:

Part I, introduction: Chapters 1-3 provide the necessary introductory material, including an overview of voice user interfaces and design issues, a description of the technology, and a high-level view of the design methodology we detail throughout the remainder of the book.

Part II, definition phase: Chapters 4-7 cover the definition phase of a project: discovering the requirements and making high-level design decisions that will guide the detailed design.

Part III, design phase: Chapters 8-14 cover the detailed design phase. Design principles are covered in detail, with many examples of how to apply them to real applications.

Part IV, realization phase: Chapters 15-18 cover the realization phase: development, testing, and tuning. A number of issues that are unique to voice user interface design, such as grammar development, are covered in detail.

Each part begins with a chapter covering the methodological details for that phase of design. Following that are a few chapters describing the design principles and approaches relevant to that phase. The final chapter of each section presents a design example.

Audience

This book is meant to address a variety of audiences:

  • Practitioners: The primary audience is practitioners or those intending to become practitioners. We try to lay the groundwork so that beginners can understand all the material. The book should provide value to both experienced and inexperienced designers. Practitioners can benefit from reading all the chapters.
  • Students of human-computer interfaces: Students studying human-computer interface design will find that VUIs have many things in common with other types of user interfaces. On the other hand, a number of issues and design approaches are unique to voice user interfaces. The entire book is useful to students, although Chapters 1-4, 6, 8-13, and 15-16 stand out as most important.
  • Business managers: Business managers making decisions about how speech technology can best meet the needs of their organizations will benefit most from Chapters 1-4 and 6.
  • Project managers: Project managers who must understand the steps in designing and deploying an application will benefit most from Chapters 1-4, 6-8, 14-15, and 18.
  • Web Site

    Throughout the book we stress the value of listening to your interface rather than only looking at a written specification. We would be remiss if we did not provide a means by which readers could listen to the many examples presented. We have created a Web site (http://www.VUIDesign.org) that tracks the book and provides audio versions of the examples. We recommend following the Web site as you read.



    Most helpful customer reviews

    13 of 14 people found the following review helpful.
    Very comprehensive
    By A Customer
    This book describes a methodology and gives pieces of advice for developing speech applications. The focus is on telephony applications. The book is based on the experience of the authors in developing such applications at Nuance.
    The book is organized into four parts:
    1. Introduction
    2. Requirement gathering
    3. Detailed design
    4. Development and Tuning
    Each part starts with a description of the general principles guiding the development of a speech application. They end with an "applied" example showing how these principles are used in a real application.
    The introduction provides an overview of speech technology and an overview of the methodology (requirements, detailed design, development/tuning) used to develop a speech application. This methodology is used as a guide for the rest of the book.
    The requirement gathering part covers meeting with the company that wants to deploy the speech application and getting information from them. The same kind of information as for other software projects is required: business case, target customers, environment integration, scope of the system, etc. Two interesting additions to the usual process are:
    1. Specifying the persona. How should the system be perceived (serious, funny, etc.)? This will impact the prompts, the selection of the voice actor, and the design of the dialog flow.
    2. Specifying the type of interaction: system directed or user directed. The former relies on grammars. The latter relies on SLM and robust parsing. This has a huge influence on design and realization.
    The detailed design phase is concerned with designing the dialog flow, the prompts and the grammars. The authors put an emphasis in developing systems that (1) sound good and (2) are efficient. Sounding good means developing prompts that abide to spoken language rules (by opposition to written language) and paying attention to prosody. The sections on prompt design and prosody are very informative. Efficiency is ensured by making the dialog flow nicely. Techniques include thinking in terms of user scenarios, providing shortcuts to common tasks, educating users about efficient ways of using the system. Efficiency is also improved by helping users to recover from errors efficiently. Techniques here include quick confirmation strategies, providing help prompts, and providing access to main menu/operator.
    The development and tuning part focuses mainly on tuning grammars and working with the voice actor. Tuning the grammar is done to ensure appropriate coverage while maintaining good recognition accuracy. Tuning must be based on real data since it is difficult to predict how people will use the system. Working with the voice actor is an important part of the system development. The authors give pieces of advice on how to have successful recording sessions.
    The book has a nice balance of general principles and pieces of advice that can be directly applied. Compared to Kotelly's book, it has a more in-depth coverage of the topics. Compared to Balentine's book it provides a broader view of the development process as well as more detailed explanations of the principles behind the recommendations. On the minus side, the book is solely based on the experience of the authors. Although this experience is extensive, it seems that parts of the book are somewhat biased (e.g., SLM vs. grammar-based speech recognition, high focus on personas). It is not always clear when the numbers given in the books are based on real experience and when they are invented by the authors for the mock application. Some of the pieces of advice may also be difficult to directly apply in practice, since they depend on using vendor tools.
    In my opinion this book should be required reading for developers of telephony applications and providers of platforms for speech application development.

    2 of 2 people found the following review helpful.
    Ideal reference book for UI.
    By J. D. Bartolomei
    This is probably the most useful book about UI design for speech applications I've seen, very sensible and straight forward, with the right amount of attention given to a good range of topics.

    I hate the term 'VUI' because it sounds silly when you say it. Apart from that, this book's a great source for UI workers.

    0 of 0 people found the following review helpful.
    Five Stars
    By Gaurav Sinha

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