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  • Published on: 1964
  • Original language: German
  • Dimensions: 9.29" h x 1.77" w x 6.34" l,
  • Binding: Hardcover

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Sabtu, 24 Agustus 2013

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Culture Smart! provides essential information on attitudes, beliefs and behavior in different countries, ensuring that you arrive at your destination aware of basic manners, common courtesies, and sensitive issues. These concise guides tell you what to expect, how to behave, and how to establish a rapport with your hosts. This inside knowledge will enable you to steer clear of embarrassing gaffes and mistakes, feel confident in unfamiliar situations, and develop trust, friendships, and successful business relationships.

Culture Smart! offers illuminating insights into the culture and society of a particular country. It will help you to turn your visit-whether on business or for pleasure-into a memorable and enriching experience. Contents include


* customs, values, and traditions
* historical, religious, and political background
* life at home
* leisure, social, and cultural life
* eating and drinking
* do's, don'ts, and taboos
* business practices
* communication, spoken and unspoken


"Culture Smart has come to the rescue of hapless travellers." Sunday Times Travel

"... the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries." Global Travel

"...full of fascinating-as well as common-sense-tips to help you avoid embarrassing faux pas." Observer

"...as useful as they are entertaining." Easyjet Magazine

"...offer glimpses into the psyche of a faraway world." New York Times

  • Sales Rank: #1487831 in Books
  • Published on: 2006-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.68" h x .50" w x 4.37" l, .38 pounds
  • Binding: Paperback
  • 168 pages

Review
Culture Smart! has come to the rescue of hapless travellers, Sunday Times Travel - ...the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries, Global Travel - ...full of fascinating, as well as common sense, tips to help you avoid embarrassing faux pas, Observer - ...as useful as they are entertaining, Easy Jet Magazine - ...offer glimpses into the psyche of a faraway world, New York Times.

About the Author
CHARLOTTE MCPHERSON is an American who has lived in Turkey since 1979. For her graduate studies at Indiana University she specialized in Uralic Altaic languages and history. She has an MA in Anthropology, and during the 1980s she conducted extensive research in Turkey and Central Asia among Turkic-speaking peoples. She has lectured in Social Anthropology at Mimar Sinan University, Istanbul, and has written many scholarly papers and several books. She is currently Vice President of the Turkish-American Cultural Association in Istanbul, where she owns and manages a major English-language bookstore, Greenhouse.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Useful for Your Turkish Visit - Critical Insight into Turks
By Amazon Customer
Living in a multi cultural city and having worked work for foreign corporations have given us an understanding of other cultures and countries. This book digs into the culture of Turkey in ways often ignored by the usual tour book. The usual laundry list of restaurants, sultans, wars, hotels, etc., etc. is not the sole focus of this book. There is certainly a lot of hard information and some historical background included to shed light on the Turkish people. The meat of this book is get in the heads of the Turks you will encounter on vacation or living in Turkey. From broad cultural principles to simple facial gestures the book is a great guide. My trip to Turkey is coming soon, so I cannot compare the book to the trip. However, the author gave a lot of little tips like those that have helped me with other foreign travel and international work experiences. Happy I made the purchase and would recommend.

11 of 11 people found the following review helpful.
Worth the price for the new traveler to Turkey
By D. D. LeDu
My wife and I have been to Turkey five times. In 2010 and 2011 we spent two months each in central and eastern Turkey. We have learned some Turkish and a smattering of Kurdish. For our purposes, we found this book useful.

It was not so much that it taught us how to act, but it helped us understand much that we observed and experienced. We spent much of our time in Kurdish areas, but the book was equally enlightening there.

One shortcoming is that the book does not delve into the intricacies of dealing with both Turks and Kurds. We sometimes inadvertantly made mistakes, such as asking a Turk if he were Kurdish, or saying "thank you" in Turkish while in a 100% Kurdish village, or later saying "thank you" in Kurdish to a Turk.

This book is most appropriate to the west, particularly Istanbul, Ankara and Izmir. Nevertheless, I know of no other book that is as helpful, and I recommend it to anyone who intends to leave the predominately tourist areas.

0 of 0 people found the following review helpful.
Really Helpful
By CollectiveHunch66
Very readable. Essential Guide provides background (history, economics, etc) but moves fairly quickly into cultural considerations (values, attitudes, etc.) so a visitor using the book has some introduction to the nuances of interacting with Turks on their home ground. The chapter on business interactions was especially helpful to me as I make presentations, conduct meetings, etc.

I'd have liked a little more depth on work and social life, but as a primer, very good.

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Jumat, 16 Agustus 2013

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  • Sales Rank: #2156373 in Books
  • Published on: 2013
  • Binding: Loose Leaf
  • 526 pages

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Consider Facebook--it's human contact, only easier to engage with and easier to avoid. Developing technology promises closeness. Sometimes it delivers, but much of our modern life leaves us less connected with people and more connected to simulations of them. In "Alone Together," MIT technology and society professor Sherry Turkle explores the power of our new tools and toys to dramatically alter our social lives. It's a nuanced exploration of what we are looking for--and sacrificing--in a world of electronic companions and social networking tools, and an argument that, despite the hand-waving of today's self-described prophets of the future, it will be the next generation who will chart the path between isolation and connectivity.

  • Sales Rank: #1832181 in Books
  • Binding: Paperback

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This book is a comprehensive and authoritative guide to voice user interface (VUI) design. The VUI is perhaps the most critical factor in the success of any automated speech recognition (ASR) system, determining whether the user experience will be satisfying or frustrating, or even whether the customer will remain one. This book describes a practical methodology for creating an effective VUI design. The methodology is scientifically based on principles in linguistics, psychology, and language technology, and is illustrated here by examples drawn from the authors' work at Nuance Communications, the market leader in ASR development and deployment.

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  • Sales Rank: #688199 in Books
  • Published on: 2004-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.90" l, 1.57 pounds
  • Binding: Paperback
  • 368 pages

From the Back Cover

This book is a comprehensive and authoritative guide to voice user interface (VUI) design. The VUI is perhaps the most critical factor in the success of any automated speech recognition (ASR) system, determining whether the user experience will be satisfying or frustrating, or even whether the customer will remain one. This book describes a practical methodology for creating an effective VUI design. The methodology is scientifically based on principles in linguistics, psychology, and language technology, and is illustrated here by examples drawn from the authors' work at Nuance Communications, the market leader in ASR development and deployment.

The book begins with an overview of VUI design issues and a description of the technology. The authors then introduce the major phases of their methodology. They first show how to specify requirements and make high-level design decisions during the definition phase. They next cover, in great detail, the design phase, with clear explanations and demonstrations of each design principle and its real-world applications. Finally, they examine problems unique to VUI design in system development, testing, and tuning. Key principles are illustrated with a running sample application.

A companion Web site provides audio clips for each example: www.VUIDesign.org

The cover photograph depicts the first ASR system, Radio Rex: a toy dog who sits in his house until the sound of his name calls him out. Produced in 1911, Rex was among the few commercial successes in earlier days of speech recognition. Voice User Interface Design reveals the design principles and practices that produce commercial success in an era when effective ASRs are not toys but competitive necessities.



About the Author

Michael Cohen is the cofounder of Nuance Communications. He has played a variety of roles at Nuance, including creation of the Professional Services organization and the Dialog Research and Development group. Michael is a popular speaker and a consulting professor at Stanford University. He has published more than seventy papers, holds eight patents.

James Giangola is an industrial linguist, who designs, researches, and mentors others in creating VUIs that reflect the linguistic features and principles that shape everyday, human-to-human conversations. An innovator in prompt-writing and dialog design, James has ten years of experience teaching languages and linguistics, and maintains a consulting practice.

Jennifer Balogh is a speech consultant at Nuance Communications, where she designs and evaluates interfaces for spoken language systems. She also conducts research on dialog design techniques and holds several patents. Jennifer is a university lecturer and frequent contributor to conferences and journals.



0321185765AB11172003

Excerpt. © Reprinted by permission. All rights reserved.

In the past decade, there has been an explosion in the creation and commercial deployment of voice user interfaces, especially for use over the telephone. Voice user interfaces (VUIs) use speech technology to provide callers with access to information, allow them to perform transactions, and support communications.

This proliferation is driven by a number of factors: customer dissatisfaction with touchtone interactions, a growing desire for mobile access, the need for enterprises to more effectively and inexpensively meet their customers' needs, and the development of speech technology that is finally robust and reliable enough to deliver effective and reliable interaction in well-defined domains.

At the beginning of this decade of growth (starting around 1994), the biggest obstacle that needed to be overcome was skepticism about the capabilities of the technology. Speech technology had been promised for decades and had disappointed many times. The enterprises that could potentially improve their customer service and save money, as well as the venture capital firms that could fund the early start-ups, needed proof points. Within a few years, many such proof points existed: Millions of phone calls every day were being handled successfully by speech technology. Although technology improvement will continue to play a key role in providing better experiences for end users, increased business value to enterprises, and new capabilities enabling new types of applications, it is no longer the key bottleneck to growth of the speech industry.

The biggest challenge now is the design of the user interface. There are too few practitioners who have the knowledge and skills to create all the systems needed and to advance our understanding as new technology enables new capabilities. Current practitioners come from a wide variety of backgrounds: speech technology, user interface design, cognitive psychology, linguistics, and software development. All these fields have contributed to our current level of understanding of voice user interface design. In fact, the field has benefited substantially from the diversity of influences. However, the need to pull together information from diverse fields has made it difficult to codify and teach the rationale for design.

In this book we aim to offer in one place much of the background information needed for practitioners to design specific applications and to contribute to the advance of the field. We try to take a principled approach to deriving best practices, with the hope that designers will then have a basis for approaching new design situations and new technologies.

Organization of The Book

Given that our primary focus is to teach VUI design, we chose to organize it according to the design methodology we recommend. The parts are as follows:

Part I, introduction: Chapters 1-3 provide the necessary introductory material, including an overview of voice user interfaces and design issues, a description of the technology, and a high-level view of the design methodology we detail throughout the remainder of the book.

Part II, definition phase: Chapters 4-7 cover the definition phase of a project: discovering the requirements and making high-level design decisions that will guide the detailed design.

Part III, design phase: Chapters 8-14 cover the detailed design phase. Design principles are covered in detail, with many examples of how to apply them to real applications.

Part IV, realization phase: Chapters 15-18 cover the realization phase: development, testing, and tuning. A number of issues that are unique to voice user interface design, such as grammar development, are covered in detail.

Each part begins with a chapter covering the methodological details for that phase of design. Following that are a few chapters describing the design principles and approaches relevant to that phase. The final chapter of each section presents a design example.

Audience

This book is meant to address a variety of audiences:

  • Practitioners: The primary audience is practitioners or those intending to become practitioners. We try to lay the groundwork so that beginners can understand all the material. The book should provide value to both experienced and inexperienced designers. Practitioners can benefit from reading all the chapters.
  • Students of human-computer interfaces: Students studying human-computer interface design will find that VUIs have many things in common with other types of user interfaces. On the other hand, a number of issues and design approaches are unique to voice user interfaces. The entire book is useful to students, although Chapters 1-4, 6, 8-13, and 15-16 stand out as most important.
  • Business managers: Business managers making decisions about how speech technology can best meet the needs of their organizations will benefit most from Chapters 1-4 and 6.
  • Project managers: Project managers who must understand the steps in designing and deploying an application will benefit most from Chapters 1-4, 6-8, 14-15, and 18.
  • Web Site

    Throughout the book we stress the value of listening to your interface rather than only looking at a written specification. We would be remiss if we did not provide a means by which readers could listen to the many examples presented. We have created a Web site (http://www.VUIDesign.org) that tracks the book and provides audio versions of the examples. We recommend following the Web site as you read.



    Most helpful customer reviews

    13 of 14 people found the following review helpful.
    Very comprehensive
    By A Customer
    This book describes a methodology and gives pieces of advice for developing speech applications. The focus is on telephony applications. The book is based on the experience of the authors in developing such applications at Nuance.
    The book is organized into four parts:
    1. Introduction
    2. Requirement gathering
    3. Detailed design
    4. Development and Tuning
    Each part starts with a description of the general principles guiding the development of a speech application. They end with an "applied" example showing how these principles are used in a real application.
    The introduction provides an overview of speech technology and an overview of the methodology (requirements, detailed design, development/tuning) used to develop a speech application. This methodology is used as a guide for the rest of the book.
    The requirement gathering part covers meeting with the company that wants to deploy the speech application and getting information from them. The same kind of information as for other software projects is required: business case, target customers, environment integration, scope of the system, etc. Two interesting additions to the usual process are:
    1. Specifying the persona. How should the system be perceived (serious, funny, etc.)? This will impact the prompts, the selection of the voice actor, and the design of the dialog flow.
    2. Specifying the type of interaction: system directed or user directed. The former relies on grammars. The latter relies on SLM and robust parsing. This has a huge influence on design and realization.
    The detailed design phase is concerned with designing the dialog flow, the prompts and the grammars. The authors put an emphasis in developing systems that (1) sound good and (2) are efficient. Sounding good means developing prompts that abide to spoken language rules (by opposition to written language) and paying attention to prosody. The sections on prompt design and prosody are very informative. Efficiency is ensured by making the dialog flow nicely. Techniques include thinking in terms of user scenarios, providing shortcuts to common tasks, educating users about efficient ways of using the system. Efficiency is also improved by helping users to recover from errors efficiently. Techniques here include quick confirmation strategies, providing help prompts, and providing access to main menu/operator.
    The development and tuning part focuses mainly on tuning grammars and working with the voice actor. Tuning the grammar is done to ensure appropriate coverage while maintaining good recognition accuracy. Tuning must be based on real data since it is difficult to predict how people will use the system. Working with the voice actor is an important part of the system development. The authors give pieces of advice on how to have successful recording sessions.
    The book has a nice balance of general principles and pieces of advice that can be directly applied. Compared to Kotelly's book, it has a more in-depth coverage of the topics. Compared to Balentine's book it provides a broader view of the development process as well as more detailed explanations of the principles behind the recommendations. On the minus side, the book is solely based on the experience of the authors. Although this experience is extensive, it seems that parts of the book are somewhat biased (e.g., SLM vs. grammar-based speech recognition, high focus on personas). It is not always clear when the numbers given in the books are based on real experience and when they are invented by the authors for the mock application. Some of the pieces of advice may also be difficult to directly apply in practice, since they depend on using vendor tools.
    In my opinion this book should be required reading for developers of telephony applications and providers of platforms for speech application development.

    2 of 2 people found the following review helpful.
    Ideal reference book for UI.
    By J. D. Bartolomei
    This is probably the most useful book about UI design for speech applications I've seen, very sensible and straight forward, with the right amount of attention given to a good range of topics.

    I hate the term 'VUI' because it sounds silly when you say it. Apart from that, this book's a great source for UI workers.

    0 of 0 people found the following review helpful.
    Five Stars
    By Gaurav Sinha

    See all 6 customer reviews...

    Voice User Interface Design, by James P. Giangola, Jennifer Balogh PDF
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    Sabtu, 20 Juli 2013

    [Q204.Ebook] Free Ebook Step , by Step Guitar Making: Full-Size Plans Enclosed, by Alex Willis

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    Step , by Step Guitar Making: Full-Size Plans Enclosed, by Alex Willis

    Straightorward guide shows you how to make an acoustic guitar with ease.

    • Sales Rank: #579855 in Books
    • Brand: Grizzly
    • Published on: 2007-04-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 10.76" h x .43" w x 8.42" l, 1.29 pounds
    • Binding: Paperback
    • 144 pages
    Features
    • Used Book in Good Condition

    Review

    "The greatest strength of the book is its readability. Every step is clearly described and numbered, and keyed to a full-color photo of that step."  —Woodcentral.com

    --Woodcentral

    About the Author
    An all-round craftsman with experience of everything from boatbuilding to house renovation, Alex Willis now makes fine custom guitars full time. His range includes both classical and steel-string models, all handcrafted from the finest materials.

    Most helpful customer reviews

    33 of 34 people found the following review helpful.
    Proceed with Caution!
    By T.W.
    Being a collector of luthiery materials, I had to buy this book to keep up to date. The photos and sequence of construction are nicely put together and there are a number of interesting techniques I've not seen in other manuals. That being said, I could not recommend the design offered as a viable first instrument for the beginning instrument builder.
    There seems to a movement of sorts in the U.K. for enthusiastic amateur builders to come up with highly personalized designs, ideosyncratic assembly techniques and then... publish. Doubtfire, Kinkead, and now Willis all fall into this category. Each offers us an instrument design quite unrelated to what's been considered "the norm" in North American steel-string building. Of the two, I'm more confident in the Kinkead design.
    Never having played one of Mr. Wills instruments, I can't comment on it's tonal characteristics. I am confident however, that this is an UNDERBUILT guitar. A dozen years of building and repair gives me concern about the following:
    -The assertion that 2mm is the "optimum final thickness... for spuce tops" is pretty much insane. Two millimeters is considered razor-thin for most nylon-string classical designs.
    -Couple that thin top with the X-brace layout described and you have a recipe for collapse. The braces are heavily decoupled, and they are at lacking at least 25% of the mass found on typical factory guitars.
    -The low-profile design of the heel is elegant, but structurally problematic.
    -The Spanish heel design with integral neck and top block can work for steel strung instruments, but is highly irregular.
    -The extreme back-set neck angle necessitates an auxillary wedge under the upper part of the fretboard. Why? This geometry results in 3/8" of saddle protruding above the hight of the bridge. Assuming one can find a commercially prepared bridge blank this tall, you've still got an awesome amount of forward torque on the top.
    -The assertion that, "a suitable height is about 5/23in (4mm)on the sixth string" is again,-laughable. Any repair person presenting a customer with a lightly built instrument obviously designed for fingerpicking with that sort of setup would be out of business in short order.
    If I'm reading the label afixed to the instrument correctly, this is Mr. Willis' 16th instrument. The text bio states that he started devoting his time to instrument building in 2003. This book is copyrighted 2006. I'd be interested to see what changes he's made to his design. (There are very few photos on his website, but quite a number of ads for this book).
    In summary, if you want to build a guitar modelled on the Martin OM design as was stated in the introduction, purchase a Martin plan from one of the suppliers. It's a time-tested design, unlike Mr. Willis'. And if,(again like the introduction says), you think the idea that starting a business making musical instruments is an exciting possibility, do follow his advice and consult a qualified business adviser. Perhaps he or she will suggest taking photos of one of your first guitars and publishing a book so you too can be a master.
    -In all seriousness though, please don't use a regular household fan to exhaust the lacquer fumes from your spray booth as pictured on p.23. A spark from the motor could cause an explosive fire that could end your luthiery career very quickly.

    23 of 25 people found the following review helpful.
    Guitar making review
    By J. A. Whiteside
    It turns out that guitar making is a complex art and there are many different ways for a beginner to approach it. The most complete book is William Cumpiano's "Guitar Making, Tradition and Technology". However, I found Willis "Step by Step Guitar Making" useful and valuable. It is shorter and clearer than Cumpiano and interestingly, a lot of the steps, sequence of operations, and jigs are different. For me, the differences between the two books help in understanding which steps are the most critical and which steps can be altered to best accomodate your particular skills, experience, and available tools. If you are serious about learning guitar building, I would recommend getting both books.

    0 of 0 people found the following review helpful.
    Great book
    By Florida luthier
    I have purchased various books on the subject but quite frankly I always wanted to purchase this book. First of all I like this Luthiers guitars. His methods of guitar building are interesting for one thing he utilizes a Spanish heel type of guitar construction on a OM(orchestra model) type guitar. Some guitar makers would argue that this type of construction wouldn't be strong enough on a guitar that especially has a truss rod. He seems to have great success using this method. I've decided I am going to give his method a try. The book is nicely laid out. It has plans included and useful information for making your own shop made jigs and tools. I am happy with my purchase . Great purchase for the novice or experienced craftsman. I would recommend this item to a friend.

    See all 12 customer reviews...

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    Senin, 15 Juli 2013

    [I465.Ebook] Download PDF Kumon Pre-Algebra Workbook II (Kumon Math Workbooks), by Jason Wang, Kumon Publishing

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    Kumon Pre-Algebra Workbook II (Kumon Math Workbooks), by Jason Wang, Kumon Publishing

    This new set of pre-Algebra workbooks gives children the confidence and skills they need for advanced mathematics. Using the celebrated Kumon Method, this book helps to establish strong pre-algebra skills, before moving onto Kumon's more advanced Algebra Workbook series. The topics covered in Pre- Algebra Workbook II include; exponents, order of oeprations, positive and negative number and algebraic expressions.

    • Sales Rank: #11995 in Books
    • Published on: 2014-05-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.25" h x 8.75" w x .25" l, .65 pounds
    • Binding: Paperback
    • 96 pages

    Most helpful customer reviews

    2 of 2 people found the following review helpful.
    Nice supplement
    By H.G.
    The Kumon series is excellent. My oldest was struggling with pre-algebra, so I bought these books to supplement with some at home 'summer school' (much to her chagrin).

    My only complaint is that the books offer 'tips' to students, which are essentially shortcuts to determine the correct answer; however, as most adults know, those tips are only useful in the very early stages of math and can cause no end of frustration in more advanced courses where they aren't as effective. Oh how I wish I could find a math book that didn't rely on shortcuts.

    1 of 1 people found the following review helpful.
    Doesn't show how to solve.
    By Trixie
    I was hoping that this workbook has explanation but it doesn't. I needed something that explains. This just had problems and answers, doesn't show how to solve.

    1 of 1 people found the following review helpful.
    helpful but not thorough
    By textbook buyer
    This is on the easy side, but it has some useful exercises on some topics. It's not thorough though.

    See all 25 customer reviews...

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